Archive for the ‘Polls’ Category

Where, what and in what format do you buy

Friday, January 6th, 2012

I’m curious–okay just downright nosy–but I got to wondering about readers’ buying habits with the advent of digital books.  Has it changed? How much as it changed.

If you own an ereader, do you find...

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Where do you buy most of your books?

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If you don't have an ereader, do you plan to get one?

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The .99 Book

Friday, March 18th, 2011

Ninety-nine cent full-length book. eBook readers, have you come across one of these before? Have you bought one? Have you read one?

The price of these books is the root of many conversations on self-published forums. Should they? Shouldn’t they? Will it help to increase sales? And if it does, will the sizable drop in revenue make it worth lowering the price of the book to .99.

So those are the thoughts of authors attempting to get your attention by making their book attractive enough for you to try. But as a reader, can you be lured into buying an ebook at this price point? Would you buy a book by an unknown author–unpublished on the most part–for the price of .99? Or are you one of those readers who would give that book a gimlet eye in the belief that anything selling that cheap can’t possibly be good?  What would move you to purchase a .99 book?

**You may select up to 2 answers

Would you buy a .99 book from an unknown author?

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Self-Publishing is all the rage?

Thursday, January 13th, 2011

If you had asked me a year ago–or even six months ago–what I thought of self-publishing, I would have told you that while it might be a road other authors willing travel, it’s not a road I would personally traverse. My arguments against self-publishing would have listed something like this:

CONS

  • Readers just will not buy a self-published romance novel.
  • Editors may look down on an author if they knew they’d been self-published.
  • Self-published means the book wasn’t ‘good enough’ for standard New York publishers.
  • Very few authors make decent money self-publishing.

Being the logical thinker that I am, I could see the advantages of self-publishing.

PROS

  • Freedom. Freedom. Freedom.
  • Cover approval. Woohoo!!!

But since that time, Amazon introduced a new self-publishing model to the mix. Now when a self-published book is priced at or above $2.99, the author gets to pocket 70% as opposed to 35%, which was even less than authors would receive if they published with any of the e-publishers. And with that kind of enticement, the self-publishing route is literally exploding.

With more readers in possession of eReaders–3.2 million ereaders were activated after Christmas–and with books going for as little as 99 cents but pretty much averaging at $2.99, trying a self-published author is easy on the pocket book. Traditional self-publishing used to be a very expensive endeavor for both the author and their potential buyers. The cost of printing the book was exorbitant, distribution practically didn’t exist, and in order for the author to make any money, the author had to price the book so ridiculously high, only friends and family members ever bought these books. Now with programs like Amazon and B&N, there is no great expenditure to the author save getting a cover and perhaps getting the book professionally edited.

Click to Buy

New York published authors, who have the rights back to their previously published books, are also using these self-publishing programs to reissue their backlist. Miriam Minger has reissued all ten of her historical romances she previously published with Avon Books from the early to mid 90s. As you can see from DEFIANT IMPOSTOR, she has some gorgeous covers to lead the way.

Karin Tabke recently announced that she’ll be self-publishing a novella titled, BAD TO THE BONE, which will be up on Amazon in the next couple days and will be a lead in to her May Berkley release, BLOOD LAW. She’s very excited about her foray into self-publishing and promises this is only the beginning.

~~~

Click to Buy

My friend and fellow Zebra author Lori Brighton, jumped into the fray last year, first with her  Paranormal Romance THE GHOST HUNTER and recently with her Young Adult Paranormal, THE MIND READERS. Like all the authors in the now obsolete Zebra Debut program, there is a year span between releases. New authors really need to keep their names out there by having books coming out with more frequency because it’s very easy to be forgotten with the plethora of books that hit the market each month. For those of us who fall into this kind of scenario, one of the best ways to do so right now is to deliver to our readers quality books by the way of e-publishing or self-publishing. Don’t get me wrong, it’s definitely not a sure thing, but nothing about publishing is a sure thing.

I am in the process of finishing a novella tied to my Elusive Lords series that I originally intended to try and publish with an epublisher but I’ve recently decided to self-publish it. The thought that I would have complete say in the cover–and I would use www.HotDamnDesigns.com, the same place where Miriam got her covers made and designed my personal website–have absolute control over the content and keep the majority of profits is too much of an enticement. If I thought a novella of mine would do significantly better in the hands of an epublisher, that would certainly be the route I’d choose to go. However, I’m not sure it would as it’s not erotic nor does it have any of the elements that seem to sell so well with the top epublishers. It’s a historical romance with the same heat-level and emotional intensity of my New York published books and my hope is that my fans–at least some of them–will be willing to give it a try at a cheaper price point than they would get from an epublisher.

I’d love to know what you think about self-published ebooks. Have you ever read one? Would you be willing to purchase one? Do you have an ereader? Comment and you’ll be entered to win a book of your choice (max retail $7.99). **Open to international entrants

Would you purchase a self-published book from an author you read?

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Would you try a self-published book from an unknown author?

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At what price point would you try a self-published book by an unknown author?

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Vote for December Historical Top Pick

Thursday, December 23rd, 2010

I’m very late with this poll. I can only say, this month has been hectic so I’ll post this poll here and the voting will end December 31st. This will be the last monthly poll. I will finish the year with a poll for Best Book of the Year in January, but that will be it. Participation in the monthly polls tends to be low so…it’s going by the wayside. But in the meanwhile, you can tell me which book was tops in your book in December.

Which December Historical release is your Top Pick?

  • Pleasures of a Notorious Gentleman - Lorraine Heath (13%, 13 Votes)
  • Wicked Nights with a Lover - Sophie Jordan (13%, 13 Votes)
  • The Heir - Grace Burrowes (11%, 11 Votes)
  • Dukes to the Left of Me, ... - Kieran Kramer (11%, 11 Votes)
  • The Duke's Night of Sin - Kathryn Caskie (9%, 9 Votes)
  • Mistress by Midnight - Nicola Cornick (7%, 7 Votes)
  • Taken by Desire - Lavinia Kent (5%, 5 Votes)
  • A Pirate's Possession - Michelle Beattie (4%, 4 Votes)
  • Mail-Order Groom - Lisa Plumley (4%, 4 Votes)
  • His Christmas Pleasure - Cathy Maxwell (4%, 4 Votes)
  • A Countess by Christmas - Annie Burrows (4%, 4 Votes)
  • Duchess of Sin - Laurel McKee (4%, 4 Votes)
  • A Most Scandalous Engagement - Gayle Callen (3%, 3 Votes)
  • Chosen for the Marriage Bed - Anne O'Brien (3%, 3 Votes)
  • Outrageously Yours - Allison Chase (2%, 2 Votes)
  • The Officer and the Proper Lady - Louise Allen (2%, 2 Votes)
  • Dreams of Desire - Cheryl Holt (1%, 1 Votes)
  • The Duke and the Pirate Queen - Victoria Janssen (1%, 1 Votes)
  • The Pursuit of Pleasure - Elizabeth Essex (1%, 1 Votes)
  • A Question of Propriety - Michelle Styles (1%, 1 Votes)
  • Her Healing Ways - Lyn Cote (1%, 1 Votes)
  • How to Wed a Baron - Kasey Michaels (0%, 0 Votes)
  • Secret Heiress - Anne Herries (0%, 0 Votes)

Total Voters: 104

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Reminder & Vote for October Book Club Pick

Sunday, October 3rd, 2010

Just a reminder that I’m posting the September Book Disussion on Wednesday, October 6th on Zoe Archer’s WARRIOR. There’s still time to get your comments in the actual post, you can email me at contact at theseasonforromance dot com before 9:00 PM tomorrow. But if you miss that deadline and the chance to be entered into an exclusive drawing for 2 books of your choice, you can comment on the post itself where two commenters will win a book of their choice. If you have questions for Zoe, I’ll see if I can have her drop by to answer them for you.

In the meanwhile, take a look at the list below and let me know which book you’d like as the October Book Club Pick. If you’d like to know how I narrowed it down to the below 13 books, it went like this: Top Picks, Debuts and Books with reviews 8 and above.

Which book should be October's Book Club Pick

  • Seducing the Duchess - Ashley March (Debut) (20%, 22 Votes)
  • Butterfly Swords - Jeannie Lin (Debut, Top Pick) (19%, 21 Votes)
  • Trial By Desire - Courtney Milan (13%, 15 Votes)
  • Mad About the Duke - Elizabeth Boyle (8%, 9 Votes)
  • Highland Hellcat - Mary Wine (Top Pick) (7%, 8 Votes)
  • The Dangerous Viscount - Miranda Neville (Top Pick) (7%, 8 Votes)
  • The Surrender of a Lady - Tiffany Clare (Debut) (5%, 6 Votes)
  • One Touch of Scandal - Liz Carlyle (5%, 6 Votes)
  • Scandal of the Season - Christie Kelley (4%, 5 Votes)
  • The Accidental Wedding - Anne Gracie (Top Pick) (4%, 5 Votes)
  • The Making of a Gentleman - Shana Galen (3%, 3 Votes)
  • A Season of Seduction - Jennifer Haymore (2%, 2 Votes)
  • Lord Lightning - Jenny Brown (Debut) (3%, 2 Votes)

Total Voters: 112

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Would you follow?

Wednesday, September 15th, 2010

Several weeks ago, news came down that Dorchester was going digital…as in they were going to end the mass market distribution of their books starting September 1st. Well that day has come and gone so … no more new Dorchester mmpb on store shelves period. The plan is this: after their books are released in digital format,  six months later you will be able to purchase them POD (Print on Demand) in trade format. This also means, print books you used to be able to buy for around a $6.99 price point, if you want it in print and not digital, you will have to fork out approximately double that and you’ll have to wait an additional half year.

I’m not sure how many of you read authors from Dorchester, but those who do, the horizon looks like a mixed bag of pros and cons. On one hand, Dorchester could have simply folded completely, denying you the works of authors you love altogether. But the flip side of that is to get their books you have to:

1. Be able and willing to read the digital book
2. Wait an additional six months and buy it for almost double what you’d pay for it if it were mmpb. (Two whammies)

I, personally, don’t normally buy trade or hardcover books because of the expense. I buy too many books to be willing to pay premium price for them. Also, with so many wonderful books in mmpb, I don’t have to. But I do have an ereader so digital books are no problem for me.

The question I have today is if the publishing company of some of your favourite authors did what Dorchester did, would you continue–come hell or high water–to buy their books be it digital or trade?

With a publishing model like that of Dorchester, I would buy a publisher's books...

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Polls are nearing a close

Saturday, August 14th, 2010

Don’t forget to vote for your favourite historical August release.  The winner’s book will be displayed on the sidebar for the month of September! Click here to vote.

How far will you read?

Tuesday, May 11th, 2010

Yesterday, I started a new book. This book was from an author whose previous book I’ve read and enjoyed tremendously. I loved the premise of this new book and pretty much thought it a ‘can’t miss’ since her writing is, in my opinion top notch.

I settled down and threw myself into the book. After the first 20 pages, I was still waiting for the magic of her words to take over and take me away. When this didn’t happen by page 30, I had to remind myself of a certain Lisa Kleypas book  that began with a perfume shop scene. It Happened One Autumn was my first foray into Lisa Kleypas’s world of historical romance and I quickly put the book aside to tackle something else. Eventually, for lack of anything else to read, I went back to it because everyone I asked had raved about Lisa’s books, and boy was I happy I did. I’ve reread that book countless  times since then and it’s one of my favourites from her.  So my thought was perhaps this book just has a slow start but will get better in the next 10-20 pages.

Finally on page 61 I had to cry “Uncle”. Unfortunately, this surefire can’t miss plot had failed to strike the right chord in me. I put the book down disappointed because I had enjoyed the author’s book so very much. I had hoped to put her on my auto buy list. Alas, at this point, I cannot. But I do have hopes that her next book will work for me because I won’t give up on her just yet.

So what about you? How far into a book will you read before you realize the story isn’t working for you? How far will you read before you cry ‘Uncle’ and put the book down?

How many pages of a book will you read by a known and liked author before you will admit the story isn't working for you?

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How many pages of a book will you read by an unknown author before you will admit the story isn't working for you?

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When to cry ‘Uncle’

Tuesday, March 16th, 2010

I’ve adored many writers in my time. I’ve read and loved their books as they’ve taken me from the American West to the Regency ballrooms, and the medieval times through Georgian escapades. I would buy their books without bothering to read the back cover blurb because I trusted them. Trusted they would deliver a story and characters I could immerse myself in thoroughly for hours of reading pleasure.  I preferred some books more than others, which is completely normal, for every book can’t elicit the exact emotion.

Then one day I bought and read one of their books and was left…less than satisfied. Something in the book didn’t work for me. But hey, every author can’t deliver, what I consider, stellar reads every time, right? Next book is sure not to disappoint. My instant-buy author has only failed me this one time. They won’t fail me again. I’m sure of it.

Please, say it aint so. You're killing me!

Unfortunately, I’m proven wrong because next book doesn’t work for me either. What’s going on? Have they lost their mojo? Or maybe I’ve changed–something in my tastes have shifted? I go back and read one of their older books. Perhaps, I’ll discover it’s not as good as I thought it was. Nope, I read several older books and the magic is there. I’m just as captivated as I was when I read it the first and second time before.

I decide I’m once again going to give my much loved author the benefit of the doubt. Two strikes doesn’t put you out of the game. I’m sure the next book will have all the elements that drew me to her books to begin with.

And the next book…? Sigh, another strike.  What on earth is going on? Why isn’t she writing the kind of books I love anymore? Do I continue buying her books and pray that she’ll write the stories I’ve come to expect from her? When should I throw up the white flag and cry ‘Uncle’?

Have you ever had this happen to you–your favorite author starts writing books that you just don’t like? Whatever magic captivated you before is gone? The story, the characterization is different, and not to your liking? How many ‘duds’ do you permit before you stop buying their books completely?

When to cry 'Uncle' on your favourite author?

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**Two answers permitted.

Who’s selling what, and are you buying?

Thursday, February 11th, 2010

Before I begin this post, I want to say Happy Birthday and heapings and heapings of love to my ‘little guywho turned 7 today. This momentous event means  lunch (his favourite, McDonald’s) with him at his school and cupcakes for everyone! Real party is on the weekend.

Now, back to book talk.  I started contemplating this question last night. Which publishing house do you purchase most of your historical romances from? I must admit, when I first started reading single title, I didn’t really notice or care. I definitely knew Harlequin because of their categories (which I consumed at unparalleled speeds), but other than them, for the longest while I only cared about the author. Now, that isn’t to say that I don’t anymore. Oh, I very much do. However, I have noticed over the years that my go-to, instant-buy author list is getting much shorter. So short in fact, I probably only have 3 or 4 on that list right now.

Some of the authors I absolutely adored, have switched publishing houses, or have taken to writing in a different sub-genre, or have gone mainstream. Some of the authors who have switched publishing houses and still continue to write historical romances… their books are just not the same anymore. Sure it could be the passing of time that has made the difference (their writing has changed), but it also could be a new publishing house, a new editor, a new set of expectations. Of course I can never know which of those things it really is, I just know something is very different about their stories and my connection to them.

That’s what got me thinking as I stared at the mountain of books in my closet last night. Do I have an implicit trust in a particular publishing house to deliver quality, engaging stories by great authors? Or is my sole trust with that particular author to do so no matter which publishing house they are with? Once upon a time I would have said, my sole loyalty is to the author. My view has shifted somewhat since then as I think it falls somewhere in between, although more weight still goes to the author. For new authors, I would say more weight goes to the publishing house. I see trends in certain publishing houses and always take note. If I read  books of 2 (two) new authors from Publishing House A and I don’t particularly like them, more often than not I won’t pick up another new author from them unless the book comes highly recommended by someone I trust and knows my tastes.

Lately, I’ve been hearing from readers, friends, fellow authors, Publishing House A only publishes these kinds of stories, or Publishing House B only likes authors with this particular kind of voice. Yesterday, one of my writer friends said that a reader told her how refreshing her book was as she was used to reading a certain type of books from Publishing House C. As a writer, I find all of this information very interesting and eye-opening. Are readers taking note of this too?

What about you? If you were to peruse your bookshelf, which publisher dominates your historical romance collection? And if there is a particular publisher that you believe is doing a great job at selecting and putting out quality, engaging stories from good authors, let me know who that is for you.

Which publisher dominates your historical romance bookshelf

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